It is clear that director Ranjith is trying to put across his political ideologies through that one actor (or should I say the 'phenomenon'?) who has embraced super-stardom by portraying roles that catered heavily to the masses. In a classic overturn of usual hero-villain character sketches, the antagonist in the movie is a fascist politician sporting white. Although it appeared to be a stylistic trope in the trailer, the film contains a lot of subtext regarding the same. We have commoners, we have land-greedy politicians, and we have dons - yes, Thalaivar is painted in shades of black (and blue too, on a few occasions) in 'Kaala' (if the title, the name 'Karikaalan', and him being referred to as 'Raavan' wasn't enough. This is Dharavi in 2018, yet not much seems to have changed. After their lacklustre collaboration in 'Kabali', their second outing is a lot more coherent, has a fleshed out villain (played by Nana Patekar, who gets his share of stand-out scenes), and features a story set in the crowded slums of Dharavi (reminding us of Mani Ratnam-Kamal Hassan's classic 'Nayagan').

Ranjith & SUPERSTAR Rajinikanth) duo's first flick, 'Kaala' would have given us higher hopes for their second. Reviewed by arungeorge13 6 / 10 Better than 'Kabali' no doubt, yet the imbalance between Ranjith's grounded film-making style and Rajini-isms is evident! And to take revenge on him and protect the people of Dharavi, Kaala decides to fight him.

Hari Dhadha's failed attempts to kill Kaala in order to take control of the area leads to the death of Kaala's wife and older son instead. Kaala, the leader of Dharavi, opposes it to protect the area and his people. Union minister Haridev called as 'Hari Dhadha' Abhayankar, previously a gangster who had carried out many attacks in Dharavi, tries to evict the people and seize their land.

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